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Audemars Piguet Launches New Royal Oak Double Balance Skeleton Watches

Audemars Piguet launches three new Royal Oak Double Balance Skeletal system watches, all 41 mm in proportion, showcasing a variety of materials as well as aesthetics. Available in stainless steel, dark ceramic and 18K platnium, these exquisite watches high light the complexity of the 3132 automatic movement. This skeletal frame construction not only highlights typically the exquisite skills of Audemars Piguet's artisans, but also provides a new pink gold develop to both watches, setting up a rich play of light. All these latest creations perfectly blend technical precision and classic craftsmanship to bring unparalleled beauty and refinement to the hand wrist.



The Royal Oak Double Balance Bones collection now includes a few new 41 mm models, every single crafted in a different stuff. The stainless steel, black fine ceramic and 18-karat yellow gold circumstances and bracelets feature often the collection's signature polished and also satin-finished finishes. This layout highlights the geometric classiness of the Royal Oak.



The skeletonized activity and inner bezel on the steel and black porcelain models feature a new pinkish gold hue that brings warmth and liveliness when highlighting the craftsmanship associated with its components. The lilac gold screws on the board complement this hue to generate a harmonious aesthetic. 18K white gold or platinum hour markers and fingers ensure readability on the stainlesss steel model, while the ceramic variation features blackened rhodium hours markers and hands. The internal bezel features a black moments indication and the “Audemars Piguet” logo. It is worth writing that the black ceramic product is limited edition and is branded on the titanium and sky-blue caseback.



On the flip side, the 18K yellow gold design combines luxurious yellow gold which has a dark grey skeletonized mobility. The matching inner frame features a white seconds size and the “Audemars Piguet” emblem, which completes the two-tone design. The gold hour or so markers and luminescent palms ensure optimal visibility in low light conditions.



These new models are generally powered by Calibre 3132, an automatic movement with a dual balance mechanism. This branded innovation launched by Audemars Piguet in 2016 boosts the watch's precision along with stability. The double harmony wheel and hairspring, set up on the same axis, oscillate throughout perfect harmony. Visible via both sides of the case, the twice balance wheel offers a look into the beating heart with the watch. The skeletonized connections reveal the components of the products train, which are cut applying advanced technologies such as CNC machining and then polished yourself to achieve the desired shape. Typically the polished V-angles reflect the actual exquisite craftsmanship that can simply be achieved by hand.



The skeletonized oscillating fat matches the case color of the particular steel and gold products, or harmonizes with the red gold movement of the dark-colored ceramic models, completing typically the contrasting beauty of these designs.



Openwork, some sort of specialty of Audemars Piguet since the 1930s, involves taking away as much material as possible in the mainplate and bridges to leave light shine through, unveiling the beauty and complexity from the mechanism without compromising efficiency. This art requires superb watchmaking skills and a wide-ranging knowledge of materials and polishing off techniques.



In the 1970s, a group of young Audemars Piguet watchmakers, inspired by their very own predecessors, revived the art of skeletonization. Under the visionary leadership regarding then-director Georges Golay, that they undertook the ambitious process of creating 100 skeletonized Tama?o 2120 movements. The first motion was unveiled in 1973, with more to follow in the pursuing years. By the 1980s, often the workshop employed a dozen builders dedicated to this craft.



Initially, the Royal Oak's movements were undetectable inside the case. However , the actual advent of quartz technology encouraged the industry to emphasize the beauty of kinetic movements. In 1981, skeletonization first appeared in the Royal Oak as a pendant, as well as an ultra-thin perpetual date model in 1986. In the nineties, skeletonization truly became portion of the Royal Oak collection, using numerous models showcasing this kind of delicate art.



Today, the Royal Oak collection includes more than 50 skeleton models, each showing years of passion and competence. These new 41 mm versions breathe new life straight into this meticulous art in addition to combine it with a modern-day aesthetic.